Nas Style Instrumental
Big beat music is just about the widely known type of electronic-based music in America. Groups such as the Chemical Brothers, Fat Boy Slim, the Crystal Method, and the Prodigy are typical pioneers of massive beat
Obviously this is a wide genre of electronic music. Nevertheless it comes with the few defining characteristics. Fast, heavy, distorted and punk influenced pop, jazz, techno and rock sounds together with psychedelic music influences characterize the design. Obviously certain groups, and artists were influenced more strongly by some a lot more than others.
Fat boy Slim is a lot more funky. The prodigy are more punk. Mit Brothers and the Crystal method are more techno.
Creating big beat is focused on big sound. The drums should be distorted and loud. Vocals should have a punk edge, and also be distorted. Intense bass lines and synthesizer loops will also be characteristic of the design.
Fast drops of elements, explosive addition or return of elements, wind and droning noises and extreme are employed in the stereo field (speaker position of elements to nearly everywhere) are also common. This really is style of electronic-based music Initially when i first experienced. The prodigy's 'fat from the land' album is still a favorite.
Make an effort to assemble a collection of odd noises. Record tools banging, power tools running, and try spinning a mic at the end of its cord to acquire some weird wind noises.
Select a general style to base the song on. Punk, Funk, techno, anything. Pick something you are happy with. Then push it. Make the Drums the focal point. Utilize the additional factors to compliment the beat and throb from the bass. Rather than with all the beat and bass to pace another elements.
Use effects you don't normally use, or ways you normally don't use them.
A standard technique in Big Beat is starting having a repeating instrument hook, then bringing the beat on strong.
Nas Style Instrumental
Big Beat tends to make plenty of utilisation of the add one element at the same time technique. Meaning you build the sound over the course of a moment or so, with the addition of in a single element, allowing it to ride a couple of seconds, then adding another.